BLACK SWAN, the new movie -- or rather Film, with a tottering capital F -- takes the self-v.-self plot conceit, throws it into a revamped La Boheme milieu, tosses in some horror tropes and pre-Beauvoir Cinderella psychology -- at times I found it unbearable to watch, both the prefabness of it all and the horror -- and yet moments of specificity hit that particular sweet-spot note of narrative inevitability, quivering between utter cliche and utter urgency, which could just about make a viewer's head spin around, several times and fast, a la the Exorcist.
The dancer I saw the Film with found it unbearable as well -- and yet. And yet.
Whatever it is, film, movie, last year's nightmare: it enters one's head like a virus from outer space, clenches in, resists forgetting, especially in the resplendence of its cliches. So does that, therefore, make it Oscar material?
Signed,
Uncurmudgeonly Unman*
*As a friend of mine says: only curmudgeonly men of a certain age don't like this movie.
**The music link, above, is just for fun. The movie trailer -- and not, mind, that I recommend you see this movie -- http://www.youtube.com/watch?v=5jaI1XOB-bs.
A blog taking place in the microharmonics of language during the birth of the novel LOLA, CALIFORNIA
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Wednesday, December 29, 2010
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